Rare "seaweed" cabinet in mahogany and rosewood... - Lot 66 - Coutau-Bégarie

Lot 66
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Estimation :
40000 - 50000 EUR
Result with fees
Result : 48 100EUR
Rare "seaweed" cabinet in mahogany and rosewood... - Lot 66 - Coutau-Bégarie
Rare "seaweed" cabinet in mahogany and rosewood veneer, hardstone decorated with flowers and animals, paesine plaque, gilt bronze, gilded and blackened wood. It opens on the front with twelve drawers and a leaf revealing four drawers. It stands on a carved openwork and gilded wood base, with a gadrooned belt resting on four leafy hocked legs holding large garlands and a central stylized shell. England, William & Mary period (1700-1725), attributed to Gerrit Jensen (1667-1715). The Regency-period base, England, circa 1830. H. 176 cm - W. 140 cm, D. 49.6 cm While the vogue for cabinets adorned with hard stones may have faded somewhat in France at the end of the 17th century, it was still very much in vogue across the Channel. Proof of this is a cabinet made between 1700 and 1725, probably by Gerrit Jensen, a cabinetmaker of Dutch or Flemish origin, active in London between 1680 and 1715 - inventor of the seaweed decoration, and the only one to use metal in his marquetry. Inspired by the style fashioned in France by Pierre Gole, Daniel Marot and André-Charles Boulle, Jensen established the Anglo-Dutch style, reinforced by the arrival in power of William III of Orange-Nassau and his wife Marie. As in Holland, he favored smooth surfaces and veneers in shimmering colors, such as walnut, acacia and guaiac, allowing for decorations in oyster shell, arabesque or seaweed... The architectural aspect, with columns and secret niches, recalls Florentine models in circulation since the 16th century, while the hardstone decor is reminiscent of the productions of the opificio delle pietre dure ("hardstone workshop") founded by Ferdinand I de Medici, third Grand Duke of Tuscany. Our furniture is adorned with a second type of marquetry called paesine, named after a variety of Apennine limestone whose numerous fissures and inclusions give it a ruiniform appearance when polished, earning it the name "Florentine marble".
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