École FRANÇAISE du début du XIXe siècle

Lot 311
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Estimation :
1000 - 1200 EUR
École FRANÇAISE du début du XIXe siècle
Bust of a man in frock coat Alabaster, white and red marble pedestal. Beginning of the 19th century. H. : 40 cm In 1884, Pissarro left Osny for Éragny-sur-Epte in the Oise region. Thanks to a loan from Claude Monet, he was able to acquire a house called "La Pommeraie" where he spent his last years, until his death in Paris in November 1903. He built a studio in the garden which allowed him to paint the surrounding countryside from his window, whatever the weather conditions. He also travelled around the area between Eragny and Bazincourt. From the coldest weather to the height of summer, under the most nuanced lights, multiplying the angles of view, Pissarro gives the impression of varying his motifs, however elaborated within an extremely restricted perimeter: the village and its farms, meadows, orchards, trees in bloom, but also its peasants in the fields or its goose-sitters. He invited the greatest painters of the time, including Claude Monet, the godfather of his last son, Cézanne, Van Gogh and Gauguin. In 1885, he met Georges Seurat with whom he became friends and was enthusiastic about his pointillism technique, which he in turn applied for more than three years. Cowherds in Eragny, 1890 appears as a small masterpiece that closes the pure pointillism of Pissarro for a return to divided touches, here fiery and loaded with paste. The influence of Van Gogh's touch, who died that same year, is noticeable as well as in the theme of the glowing solar ball that dominates the composition. The painting belonged to the collection of New York real estate developer Norman K. Winston
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